2026-07-18 Planets in the Ocean at Hidden Hall

There's an old something or other out there that says that you never mention your mistakes or poor performance on stage. In yesterday's case, there was no need to mention it because it was so obvious, it couldn't have been missed.

We were asked to play a power pop fest, at the Hidden Hall, for an afternoon show. A five-band bill with our bros from Square Peg, Full Life Crisis, Royal Blunder and the Rallies. Seemed a little weird since it was a daytime gig and we aren't really a power pop band, but it was with friends and at a new place we'd never played.

On the way there I realized that parking would likely be weird since the show started at 3:30 and went until about 9. Long story short, both Cass and I paid $14/each to park for 10 hours or so. This is not relevant, but it's all part of the experience, I suppose. It's interesting to keep a tally of time spent, money spent, money made (or not made) and see how it all shakes out. Since we're keeping track, I left the house at 2:04, the venue is about 15 miles away, and by my arrival, I was already down $14.

Cass and I showed up at the same time and loaded our gear in. The headliner, Royal Blunder, was providing backline and had already set up at the early, early time of 1pm or so. Crazy timing for a daytime gig, but we had a 9pm curfew as the venue had a DJ coming in for the late shift.

For this show, I brought the LB-100 and my IEMs. I recently also bought a wireless guitar kit as I had extra gig bucks and it was on sale. I've been using it, the NUX B-8, at rehearsals recently and though it works, it would drop signal a couple times over a couple hours for 1-2 seconds at a time. Not a huge deal, but last week, it dropped twice in a song and that got annoying. Turns out, it may be related to a hot input signal from the bass. I think both times I was playing one of my L1Ks and as always, had the volume dimed. I was all set to return it but read that if you lower the input volume of the bass, that should mitigate the signal drops. I did so and after practicing and playing at home, maybe that is the case?

Anyway, Square Peg kicked things off with a nice set. They had Rick Friel do "Hello There" by Cheap Trick to kick things off, then did their own songs for the rest of the set. During one of their songs, someone came up to me and said the song reminded her of "C'mon Feel the Noize" and it was Julie from Guest Directors. I didn't recognize her in the moment but caught up with her throughout the rest of the bands. Was nice to see her and chat a bit.

No picture of Square Peg without me in it

After a quick changeover, Full Life Crisis took the stage. Another band of bros, they are great. I really love how Brian plays guitar. He has mastered his tones and his playing is outstanding. Really nice band with cool tunes and great harmonies.

Full Life Crisis

We were on next so we took the stage and were already at a deficit as Robb forgot to print setlists. No big deal, as he usually just calls out the songs anyway. I went with my IEMs and the sound guy, Rainen, who ran sound for us at the Blue Moon a few years ago (he was wearing our shirt), got me dialed and it was fine. I had the wireless set up and we were good to go.

Robb started with "Unraveled," which is a fine opener. However, at the hold of the note going into the intro, I whipped my guitar down and the transmitter came off my strap. It was dangling next to my leg, but luckily, the signal was still there... that is until about 3/4ths of the way through the song. All of a sudden, no bass.

I checked the plug and everything was plugged in. I noticed the receiver on my pedal board still was showing a signal, so evidently the bass was still getting into the board. I decided to ditch the wireless just in case that was it (it wasn't) so Steve brought me an instrument cable. After a few more moments between songs, I noticed the amp had no power to it. It seems something had knocked the power out to the amp; once we reset that, we were off and running. Until we got to "Nomenclature," the third song in the set.

It started normally and we got through the first chorus just fine. Cass and I continue with a basic drum beat and my droning bass line. Robb does the riff four times and then starts singing... but he didn't. Cass thought Robb had forgotten the second verse and was jumping to the second chorus, but he wasn't. Robb was lost and I got lost and I just stopped playing, so we all stopped. Then I shouted in the mic, "second verse, same as the first," and we got rolling again. It was all so stupid, but I think the song ended up OK despite that.

Robb also had an equipment glitch, one of his pedals seemed to be low on battery or signal. He started "Sit & Spin" and it sounded so quiet and down. He futzed around with the pedals for a sec and it came back. Not sure what the issue was, but he had it at rehearsal the other night as well.

The rest of the songs were likely fine, but I was feeling a little off. It was fun, sure, but all I could do was laugh at what a trainwreck it all felt like. It didn't help that the sound of my bass in my IEMs seemed clicky, as well as what I heard from Bruce's GK rig behind me. It was just all a little uncomfortable. But we plowed through it and eventually finished a little grumpy at ourselves.

pic by Mike Mitchell

Interesting guitar necks

At this point in our playing careers, nevermind time in Planets, we should be nailing every gig. But instead, we are nearly guaranteed some sort of error that goes beyond missing a note here and there. Missed sections, disjointed notes, simply madness. We are better than what we showed last night and it stinks that that happened. Luckily there were not many people who saw it, but those that did did seem entertained.

The Rallies followed us and played a competent and professional set, as always. If any of these bands will make it to the bigger stages, it's them. Solid, ear-friendly songs, hooky choruses, good looks. Don't know if there are many bands as consistent as these guys.

The Rallies

Rounding out the afternoon was Royal Blunder. We played with them early in 2025 and they were a four-piece, heavily Beatles-influenced. I saw them late last year and I thought they had gotten a touch more heavy, as well as being a trio. Fast forward to Saturday and they were the same trio, and quite good. Admittedly, I did spend a lot of time in the green room choppin it up with Lee and Steve from the Rallies, but what I did see out front was good. Still a lot of Beatles sounds, even playing "Lucy in the Sky with Diamonds" as well as "I Am the Walrus," but still good.

Royal Blunder

The aforementioned green room

After the bands were done, Cass and I chatted for a bit about the performance. Of course, we are our worst critics, but man, we should be past this type of stuff. Equipment is gonna fail, sure, but we should not be missing entire sections of songs. Saturday's stoppage in "Nomenclature" was pretty egregious and was my doing, but I thought it beat having an entire breakdown mid-song. Let's stop and cut our losses. The problem is, nearly every show we play, there's a part of any song where it's a really obvious error. Watching other local bands, or actual pro bands, that simply doesn't happen. I don't think that will hold us back from anything, but my ego and pride gets bummed out when it happens.

Overall, a pretty forgettable afternoon for me. I loved seeing friends and chatting and hearing the other bands. But playing was challenging even without the extraneous issues. I did get to see a couple vids and we sounded good from up front and for "Panic Attack" and "Sit & Spin," they were decent performances. I saw another clip of "Loud Silence" and that sounded pretty good, so I think we may have been fine, but man, so many weird moments for the actual full gig.

After the show, talked with Bruce via text and he indicated that all 5 bands, after the club and soundguy took their cuts, split $10.36. Pretty incredible, if you ask me. I was out $14 for parking and 7 hours for my time, plus mileage (30m round trip). Good thing we aren't in it for the $$.

Onto the next! A big-time gig at the Tractor playing with early teens powerhouse, The Divorce, with our buds Chimestone opening. Looking forward to that one.

2026-03-07 Greg Hoy & the Boys at the New Frontier Lounge

Night 2 of our SEATAC tour is in the books. Another long evening/night at a club, but so much fun, that I didn't care. Once again, the night started with me jumping in the car. The NFL is about 30 miles away from home and I was a little nervous as it was going to be my longest roundtrip in the new car when it wasn't properly charged up. I've been trying to save some money on electrical by not charging every night. Monday and Tuesday nights I didn't charge, and on Wednesday, I had my normal commute to work, then to Dave's house for rehearsal and back, which added another 25 or so miles total. I charged that night, then had Planets practice, which adds about 35 miles to the daily. Same with Friday night, playing in West Seattle. After charging Friday night and driving Marci's car around Saturday, I left for Tacoma with just about 100 miles on the battery. Lucky for me, the route for the gig was about 60-65, so we made it home just fine. But, I digress.

Traffic wasn't bad getting down there, I made it in good time, but I did have a terrible time finding parking. I heard there was high school basketball championships at the Tacoma Dome across the street, so where normally there are hundreds of streets spots on any given night, last night, there was next to nothing. I tried squeezing the car into a fenced in tiny lot behind the building, but after a few tries, it was just too tight, so I moved on. I drove around the area for about 10 minutes before I found a spot about a block away, so I lucked out. I only brought my bass and a cord, since Tom's amp sounded so good the night before. Dave ended up parking about half a mile away, so no complaints from me!

After the brief load-in, I said hi to some of the fellas and ordered some food. Hot dog for me, no picture. I took to the stage and got set up, quick and easy. I decided to bring the Hog. I didn't even bring the pedal board as I didn't use it the night before at all. I brought my stupid clip-on tuner and a cord and it was pretty cool to travel so light, not gonna lie.

This beautiful beast

As we line-checked, I played a few notes and Brian from FLC was in front of me and marveled at this bass. Planets had recorded a video at his house in October and I played Goldie. He sort of did a double-take and was all like, "you have to bring that bass over and we are going to record it." All from a few notes, I thought that was funny.

I brought another phone to record the festivities, set it up on a table near me and hit record. I figured, "how often do I play with horns?" and wanted to let it rip. Max and Ric had nearly matching blue shirts and I got to stand next to Max this time. They are a great combo and they have tons of gigs. It was really cool to connect and play with them for these two nights. I'll see them again down the line.

I really enjoyed playing with Dave too. When we were kids in high school, he was decent enough and he really grew into a solid and quirky drummer. His jazz-type roots over the years really defines his style. His fills and feel are so different to me but they work and I loved how he added to what the band did.

Both nights, it was tough to hear Greg. We sort of blasted through sound check and I neglected to tell the sound guy to put guitar in my monitor. I could hear his vocals for the most part and everything turned out fine. I had a trainwreck in one song, forgot to go to a B-section, but figured it out quickly enough. I also forgot to warm up, so for the first song, a pretty quick bouncy number, I made it out alive, but it was tricky.

Oh yeah, before all that, Sean Lundblad and Val showed up. Was great to see them, even if Val didn't want to be in our picture! They are great and really enjoyed catching up with Sean. He said they'll try to make it out to Seattle for the Planets show on Friday.

Lund Bros. rhythm section, 2026.

Following us was Square Peg and I thought they sounded better on this show. Maybe it was the room, who knows? Steve said he didn't play that well, but I thought they did just fine. I guess I forgot to take a picture of them, but just scroll down to yesterday's post.

The night before, Brian said they were going to do their grunge set. They kicked it off with a blaster that I didn't remember hearing the first night. It was a cool tune and set the tone for their set. Steve R. said Brian had crafted a different set, their heavier one. And it was! Tom sang a bunch of the songs and inspired me to want to sing more. He was great and Brian was great and they were all great. Nice tight band and cool songs. I personally like the heavier FLC better and they'd pair good with PITO, but Brian is trying to move in a less heavy direction, more dynamics, etc. All good, they were great and such good dudes.

Wanted the sign in the shot

After the show, I talked to a bunch of the dudes for a bit. Love talking to FLC, Dan from SP is a cool dude, a very friendly hugger. Met a cool guy named Dave who plays drums for a Latino rock cover band. Hope he can make it out next Friday. Stereo Embers/PITO fan Nick Kennedy was there also; I guess he lives in Tacoma and was happy to see me/us in his town.

All in all, a fun two shows, fun four days of music for me. Wish more weeks were like this! Now I have two more next week and then some chill time until what, May? Who knows. Let's get after it!

Next up, Planets at the Sleight of Hand SODO to release our record! I'm feeling like the turnout is gonna be good!

2026-03-06 Greg Hoy & the Boys at the Skylark

Last night was night one of what I'm calling our SEATAC tour. It was the Seattle portion, of course. I left plenty early, at 5:30, expecting horrible traffic. Instead, it wasn't too bad, so I showed up close to 6. I figured I'd get there early since we were sound checking at 7 and I wanted to eat before I lost track of time.

I pulled into the lot and the Full Life Crisis boys, Lee, Tom and Brian, were there loading in. I headed in and it was my first time back to the Skylark in I don't know how many years, maybe 2016 with the Scheme?

Part of GHTB included Max and Ric on sax and trumpet, respectively. It all came together quite nicely, with me doing most of the coordinating. Greg had a booking agent get some clubs on the tour, but he asked if I knew any horns. Of course I thought of Max and Ric and luckily they could do it. Then he asked if I knew any bands, so I asked FLC and Square Peg, both of which could also do it. So that was that, easy peasy.

I caught up with Dave, Ric, Steve and Steve from Square Peg. Greg's wife and his daughter were there as well, since it was all ages until 10pm. Greg's wife worked at Open AI and she brought a bunch of people. FLC is from West Seattle and they always bring a small crew. Overall, it was a pretty good draw.

I grabbed a smoked chicken sandwich and tore that up before hitting the stage for soundcheck. I hemmed and hawed on what bass to bring and ended up bringing the butter bass to play through Tom's Ampeg combo.

tasty chicken sandwich

The gear

Half of Max and Ric

Dave and Greg and I practiced a few nights ago and it went fine. We didn't practice with Max and Ric and it was fine. They had charts and we did a quick soundcheck with "Highway 101," which starts with horns, and it was great. The amp sounded great and overall, I was happy with what I heard.

Greg was hurting a bit; the night before, he fell on a sidewalk in Seattle and twisted up his ankle. He had a brace on his foot and was hobbling around a bit and hurting, but he soldiered on. It didn't affect his voice or guitar playing, so we were good on that front.

Before long, we hit the ground running and it was great. Despite the injury, Greg has fun stage presence. Max and Ric were center stage and I was in the corner. I could hear everything pretty well, except Greg's guitar, which was OK. We banged through some songs and they were all pretty good. No real trainwrecks or screw ups. The horns sounded great and were a lot of fun to play with. Overall, happy with the performance and people ate it up.

Greg and the Boys

Full Life Crisis followed us. They put on a solid set, with all 3 dudes singing a song during the set. Lee said it was his first time singing lead on a song; the guys had written a song and told him he had to sing it. Tom played a Ric and it sounded great. I don't know if I'd want that Ric clank and growl to be my sound, but it worked for him and he played it really well. Brian is a great player and a suprisingly good singer as well. He's cool and I've really enjoyed getting to know him the past year or so. They put on a great set with a wide variety of musical influences.

FLC

Square Peg closed out the night with an energetic and loose set. Dan on drums is fun to watch and listen to. He seems to be close to losing at all times, but it always works out. Steve N. surprised me with his vocals. There was a few times when he had to hit a big note and he did. Bob and Steve R. were solid, as expected. Those guys have been around a bit and know what's up and how to best compliment their songs.

Square Peg

When it was all said and done, I loaded out and headed home only to find I-90 east was blocked off. Had to go around and pay the toll on 520, so I wasn't thrilled about that. Next time I should check the GPS before making the drive. Don't know what the band made, expect I'll get paid by Greg tonight when we do it again at the New Frontier.

7/25/25, Planets in the Ocean at Tim's Tavern

Fun night at Tim's last night. Left the house around 5:55 for a 6:30 arrival time and pretty much arrived right on time. Best part of these early arrivals is the ample parking. I was backlining my amp for the other two bands, Full Life Crisis and the Riffbrokers, so I wanted to be there early enough. I brought the Orange and the 212, as well as the butter P and the SB2 as a backup.

Robb and Cass showed up shortly and we had a good time chopping it up, getting caught up on the past couple weeks. Cass's son Beckett broke his leg in San Diego last week playing soccer, so that was good to get caught up on. He's gonna be rehabbing and recovering for the next several months but should be OK.

I got to chat with Brian and Tom from Full Life Crisis for a bit, then with Heather and Nick of the Riffbrokers. I've played shows with them for the past 20 years or so. We aren't close necessarily, but we are always friendly when we see each other at shows. Great to get caught up with them, albeit briefly.

Last time we played Tim's, the stage was outdoors, but evidently some adjacent businesses have been less then neighborly when it came to the outdoor music after 10pm. They would complain and raised enough of a stink to force Tim's to move the stage indoors, where the sound could be better controlled. They took out half of their dining room and reconfigured the layout of the entire property to support it and it was actually really cool. They included a green room this time around!

Tim's Tavern: Together In Music!

New stage setup

The new green room

After some pre-game chit chat, Full Life Crisis took the stage. With 2/3rds of the band made up of 1/2 of the Rallies (Lee on drums, Brian on guitar), they hit the ground running. Tom on bass played a beautiful Rickenbacker and held it down quite admirably. He played with a pick and sang leads on some songs. All three of the guys sang great together and they had a nice solid set. Lee is great at laying down a beat and Brian is a nice guitarist, he plays great leads and solos. Overall, very well done!

Full Life Crisis

Before they started, I was surprised by my friend Chelsea, her husband, Brendan, and their friends, Breann and July (pronounced Julie). I've known Chelsea through work and I used to work with Brendan as well. They are huge music fans and I was really happy to see them and have some new friends to meet as well.

Friends new and old

After a quick set change, we started off. It was business as usual, but due to a conflict (had to pick Marci up at the airport) we bailed on practice the night before. As I started "Unraveled" with the band, I had that horrible realization that maybe we shouldn't have skipped. I missed notes, I felt out of sorts. It took about 3-4 songs before I felt better. I think part of it was also the monitors. Though the new Tim's setup is great, I couldn't hear much beyond Robb's vocals and guitar. I was right next to my amp so the bass sounded weird and I was futzing around with it all night. I had a camera set up on a nearby table and though my backing vox were loud in the mains, I was pitchy all over. Ugh. Overall, though, as they say, I am my worst critic, so I have to look at it through the crowd's eyes.

As far as the bass is concerned, I played the yellow P and maybe it's been too long since I've played it. The past several shows I've played the gold L1K and I figured I'd hit up the P. Something about the action I think was also throwing me off. The action is super low and picking at the strings, I kept missing notes and generally being uncomfortable. Or maybe I should've practiced the songs once or twice this week.

Anyway, all three of us slogged through mistakes and errors. There were stick drops, there were missed choruses, it was pretty funny. But on video, we looked and sounded good, so there's that. Our little fanclub at the table was vocal and gave us great energy. The people overall were quite enthusiastic, despite our self-inflicted wounds. Here's a screen capture of the video.

Nice bright stage at Tim's!

After us were the Riffbrokers. Married folks, Nick and Heather, have been in the Seattle music scene for decades and their obvious familiarity and comfort comes through beautifully. Nick has this low-key clever stage banter, and Heather plays great bass lines and adds so much with her pretty backing vocals. It was her first time playing this Guild bass, which belongs to her pal Scott Sutherland.

The Riffbrokers

During the RBs set, Nick kept shouting me out, going on about "GWON CHANG" this and "GWON CHANG" that. It was pretty funny. I think he realized that Robb was Robb Benson and he was amazed at how young he looked (Robb and Cass's band, Dear John Letters, had played with the RBs a lot in the past). Nick also called out the Lund Bros, since we played with them a lot in the '10s.

After the show, it was high-fives and hugs all around. I sat with the table and chatted via text and shouting in ears, enjoying the Riffbrokers and the company. It was great catching up with Chelsea and her hubs, hanging with Cass and Robb and talking with the other bands.

Brian from FLC came up and mentioned that he had played with the Lunds at the Skylark but I thought I wasn't in the band by then. However... after checking my info today, it turns out we did play together in 2010. Pretty cool stuff, just no recording of that one, other than a quick blog entry up in here somewhere.

Packed it up after that, drove home and in bed. The 4 gigs in July are over! Up next, 8/16 in Everett with the Sunset Grooves. Stay tuned.